09
Feb
10

Simple Common Decency

I’ve been thinking a lot about this the last few days. About decency, humanity, compassion. Wondering why it is that some people feel it acceptable to use others as vehicles for their own disaffections, their own cynicism, their own lack of ability to feel connected to humanity. Or even worse, why some people feel it acceptable to trample on the lives of others in their desperate scrabble to exorcise their own pain, or rationalise their own feelings or actions, or score a cheap victory in their struggle for self-aggrandisement?

Of course I know that it has been “ever thus”. I know that there have always been people who are happy to cause pain for gain. And there have always been people who have lost sight of the fact that they cause pain for gain. But so often now I look around me and see it – a lack of simple common decency. Maybe (probably) I am just getting old. I notice these things more. Or they tire me more. Or both. But I was reminded of it again tonight reading a piece of (purported) journalism in the newspaper I grew up reading. A newspaper for most of my younger years I believed represented honourably the left in Britain. A newspaper I gave up reading a long time ago because of a plethora of exactly the kind of piece that so rattled me today. A mean-spirited little piece abut the UK Prime Minister struggling briefly with his emotions when during the course of an interview he was asked about the death of his baby daughter nearly 10 years ago.

http://www.guardian.co.uk/commentisfree/2010/feb/09/gordon-brown-daughter-death

The piece is so jaded, and cynical, so lacking in any sense of simple common decency I was left slack-jawed. My heart ached at the thought of Mr Brown or his family reading those casually cruel arrows pointed straight at the deepest, darkest heart of their suffering and pain – the loss of a child. I posted a comment, because if nothing else, I do think we should all speak up in the face of  the forces of banal casual cruelty. And I was hugely heartened that though we are a minority, I was not the only one to feel compelled to challenge this particular journalist on her lack of humanity. Still, it left a sour taste in my mouth.

But then I thought of here… of the people who gather here to share a love of music, and of the music itself. And I felt heartened. Re-assured. There’s been quite a white shirt twitter-fest of late about Dido and Aenas. What could be a more perfect way to counter this young woman’s sad loss of compassion than with a burst of music from a soul that connected so perfectly with human pain and suffering, performed by a voice of such enormous dignity and beauty it brings its important sentiments to an almost unbearable pitch? And between them Purcell and von Otter remind us of all that Ms Tanya Gold has forgotten (or perhaps lost); that there is nothing more human than to acknowledge simply and with an open heart another’s grief and tragedy. That in the depths of such misery and emotion we are reminded of our essential connection to all other human beings. We all must face loss. We all must grieve. We forget that at our peril. Thank god for Purcell and von Otter!

And thank your margotlorena for sharing this with us.

09
Feb
10

Well, OK, I Guess…

Not content with shaking up opera’s image on Opera Star – whatever that is, there I times when I thank god my TV watching is confined to occasional Youtube bursts and the odd thing half watched on BBC iPlayer before I, inevitably, nod off (anyone else found that as they get older they can’t manage a whole TV programme, even one they like, in one sitting?) – Rolando is shaking up the toobz too. Click below to see what the Leo Sayer of the opera stage thinks is hot. Needless to say it’s not dripping with obscure early music or stunning contraltos singing Bach… but JDD gets a shout out so I suppose we should be grateful for small white shirt mercies:

YouTube UK Blog: Opera Star Rolando Villazon Edits YouTube UK: “Opera and Classical Music can shake everybody’s life.”.

PS Rolando can speak for himself… my bottom is entirely particle free!

 

06
Feb
10

The Contralto in the Black Velvet Jacket

 

The Diva in a Velvet Jacket (Screengrab)

Nathalie Stutzmann (screengrab)

I don’t know what it is about Nathalie Stutzmann but she does keep lending herself to “posts that could equally well be a Donna Leon novel”!

Well it seems like the velvet jacket so beloved of Marina in Anik’s wonderful “Dare” fanfiction (oh and I think some defunct Italian TV series but we’ve forgotten all about that now Anik is finally writing a good storyline for it) is spreading. Head on to Styx’s place to read a fantastic review of the Orfeo 55 concert in Paris the other night (some white shirts have all the luck… Orfeo 55 last week and Ceci and The Diva in the Black Velvet Jacket coming up!). There’s a great Youtube interview with Ms Stutzmann complete with velvet jacket. Well, if she can’t be persuaded to sport a white shirt so often these days, a velvet jacket is the next best thing :)

Styx certainly has me looking forward very much to a chance to catch this great orchestra and a great singer. As Styx points out and as is absolutely evident from the YT video, she seems to have this incredible physical affinity for the music. You can see it when she sings, and you can see it when she conducts. All that and THAT voice too. You might need to strap your timbers down… there’s going to be some heavy shivering going on.

Now I wonder if they could be persuaded to do a gig in London say around December, you know, maybe a day after the Kasarova Alcina?

05
Feb
10

Opera Live I Could Kiss You!

Ladies, thank you, you really were too kind! (Image shamelessly knicked from Anik's Place)

Great news – for all those of you who somehow or other managed to miss the absolutely fantastic Capuleti and Montecchi broadcast from Opera Liège and their good buddies the sweethearts at Opera Live… they have extended the online availability till the 12th. Honestly, if the various over the top rantings on this site don’t convince you, check out the live commentary the gang gave during the original broadcast – life isn’t worth living without a little sob/sniff/sigh fest every now and again now is it?

Tickets at €4 for SD and €6 for HD can still be purchased here. And there are no international restrictions (yay!) so our friends over various ponds can join the fun. And if the other broadcasts in their season appeal you can upgrade to all three broadcasts for €10/€15 (I did – OK not quite so much by way of white shirt appeal… but come on gang, where there’s a text there’s a subtext ;) )

OK white shirts, saddle up you’ve an opera to get too :)

05
Feb
10

So what did it for you…?

Had an interesting chat with some colleagues the other day about what it was that first “did it” for us in terms of classical music/opera. And weirdly several of us had a similar story of hearing some particular piece of music in childhood and being so affected we started to weep. Not cry – that’s different. No – weep. To feel so completely overwhelmed at some quite essential level that we were completely emotionally unravelled. For me it was Mahler 4 (the third movement finale).

Someone who I think sensed that it was in me to love this music despite it being so not a part of the world I was living in at that time played it to me. I knew, somehow, that this was different. That there was life before and life after this music and that things would, could, never be the same again. I love all kinds of music, always have. But I knew as soon as I heard it that I would always *need* this music.

How about you? Was there ‘a piece’ or did it just sneak up on you?

PS If you been hanging out with the gang for a bit and haven’t said hi yet – this would be a perfect time to introduce yourself – all welcome here, white shirt/yellow shirt/no shirt, male/female/trans, all points on Kinsey :) ) The White Shirt gang have a rainbow philosophy!

 

 

04
Feb
10

WHTE SHIRT ALERT: Oh. My. God.

Hold on to your shirt tails girls….. Vesselina Kasarova’s Alcina in 2010 is……… Harteros!!!!… and Cangemi…. Minkowski…. THUD

Sorry, that’s all I can manage right now, I need to go lie down. More later.

(long pause till Martha revives Purity with a good slap and a glass of malt)

Tickets for Barbican concert staging in London available now – some left but going fast. And believe me that’s not the end of the Barbican utter joy next season… gang we might need to rent a London base: how about Antonacci and Mingardo and Bickett for starters? No news yet on Bradamante – we can only dare hope that it’s Prina and they are just teasing us? And no news on the Vienna full staging (Barbican is a concert staging) – but again hoping it’s on there the following week so I can make that twice in one year I have trailed Minkowski and Kasarova and Handel across Europe… :)

Not sure what all the unseemly fuss is about? Hmm… let me see… does this help?:

 

Vesselina Kasarova and Anja Harteros in Alcina (c) Unknown

Yeah. It’s ok, I understand, you have to go. You have tickets to book ;)

02
Feb
10

Opera! Love! Love Opera…

 

"Oh Xena... err... I mean Romeo!" (c) Opéra Liège

OK so we were excited. Very excited. And it turned out rightly so. The live broadcast of I Capuleti e I Montecchi from those nice folks at the Opéra Liège was fantastic. If you want the running live commentary then thanks to Anik, the White Shirt Gang had a sigh/faint/snark fest over at her place during the live broadcast. I think you will get the picture (we loved Ms Polvereli, we LOVED Ms Ciofi).

So let’s get the teeny tiny quibbles out the way first. Hair. Wardrobe. Hmmm.

Now the good stuff… everything else! A slightly odd mix of multimedia and an old fashioned staging was a little unsettling, and to start with Ms Polverelli’s Romeo was hampered by a couple of things. Which really should have been strapped down a bit if the trouser illusion was to be pulled off successfully ;) From a trouser point of view it wasn’t quite in the Kasarova league. As one of the white shirts pointed out, she really needs to brandish her sword with a bit more vigour. That said it did add a rather unusual supertext frisson to the production… somewhat aided and abetted by a “nope it’s not just us they really are channelling Xena Warrior Princess” vibe. But singing was a whole other matter! And especially in the final scenes, she was fantastic, incredibly touching and certainly had the virtual hankies flying.

Ms Ciofi was…. Ms Ciofi was…. Nope, sorry, words elude me. OK just a couple – power, emotion, swooping, ringing top notes. There were points when the slightly odd staging, the supertext, even the crappy hair on the rest of the cast just faded away as you melted in to her voice. Just. Stunning. Oh please if anything happens with Netrebko for the 2011 Munich I Capuleti e I Montecchi PLEASE white shirt gods let them cast Ms Ciofi against Kasarova – now THAT would be something to behold.

Trust me, you are going to have to buy yourself a ticket and catch this (you can watch for another 5 days so hurry on over there – €6 and you are in soprano heaven. Mesmerising actress, stunning voice. And she even slips in a quick Romeo grope at the end! Though to be fair Romeo returns the favour by planting a great big kiss on her at the curtain call. From all points of view, a VERY satisfactory white shirt event :) And though there were a couple of login glitches to begin with the live broadcast went incredibly well. And what could be better than a good weep/giggle/sigh/snark with a few of your favourite white shirt buddies and a great opera? Not much actually!

WEST COAST ALERT: An, Smorgy, you are in luck – she’s singing Sophie in Der R in 2011 at San Diego Opera… with Harteros debuting her Marschallin. Grr… my turn to be green with envy!

02
Feb
10

Opera!… Live!.. at Operalive! (Tonight)

 

Giulietta: "Look one of us is going to have to lead in this dance, and just because you've got the big stick I don't see why it has to be you!" Romeo: "Fine, you lead, I hate I Will Survive anyway!... Oh god quick dance over that way, my ex's ex's ex is coming this way. We had a fling three years ago and she still hates me." Giulietta: "Oh god bloody white shirts, I knew I shouldn't have gotten into this." (c) Opéra Liège

OK so I’m pretty excited. It’s Tuesday, which means it’s the live broadcast of I Capuleti e I Montecchi from those nice folks at the Opéra Liège. Which means it’s mezzo-magic time from a new to me singer – Laura Polverelli, though judging by Anik’s infoburst on her it looks I’m going to have to add her to my list of “singers to watch for a work travel reason meets performance opportunity”. And of course soprano goodness from Soprano Goddess Patrizia Ciofi. The show starts at 7.30 GMT +1.

And they are just spoiling us with goodies. First those great rehearsal shots – no please, honestly, don’t worry about costumes, jeans are *just* fine ;) And now some stunning shots from the performance itself. If you have been debating whether or not to buy yourself a ticket (and really, with all this white shirt goodness I do have to ask…. WHY!!) – go check these out. You won’t be debating much longer. Tickets at €4 for SD and €6 for HD can still be purchased over at those nice Operalive folks.

Now listen up – don’t leave it till the last minute, you don’t want to be struggling to sort out your ticket and get that white shirt collar pressed as sharp as a razor’s edge do you? Let’s not have sloppy white shirts for Ms Romeo and Ms Giulietta please gang. We have our standards to maintain. What do you mean ‘it’s online I’ll be watching in my Snoopy PJs with a jug of Margaritas and a bowl of popcorn on my bed’?

 

"You see! I knew 'packing' was a mistake... It'll be weeks before that swelling goes down.... Hey look soprano girl, stop laughing. It's NOT funny."(c) Opéra Liège

 

01
Feb
10

White Vest Monday

 

Patrizia Ciofi (c) Unknown

Today’s White Vest (well, -ish) Monday is anticipating breaking out our white shirts for tomorrow night’s Live Broadcast of I Capuleti e I Montecchi  from those nice folks at the Opéra Liège. Tickets at €4 for SD and €6 for HD can still be purchased here. It is a great deal; you can watch live or at any point up to 5 days after broadcast, and there are no international restrictions (yay!) so our friends over various ponds can join the fun. And if the other broadcasts in their season appeal you can upgrade to all three broadcasts for €10/€15.

The delightful Laura Polverelli as Romeo has already been dealt with over at Mezzo-Central, or Anik’s place as it is otherwise known. So of course I have to highlight the wonderful Patrizia Ciofi as Giulietta! And judging by that steely gaze, I would say Romeo is going to have his hands full with this Juliet!

Ms Ciofi is one of those singers who has been circling around superstardom for a while now.She has a very loyal fanbase (check out this great fansite for hordes of up to date information and news), a great Facebook page, though no website I can find, and is much liked by opera blogging A-lister Opera Chic. She’s particularly admired for her acting. Between that steely gaze and Ms Polverelli’s forearms we should be in for a treat tomorrow night ;)

PS Anik will be carrying a live commentary thread over at her place tomorrow night. Assuming I can get the kid’s to sleep in time I’ll be joining her – perfect opportunity for a bit of white shirt banter during the broadcast gang :)

01
Feb
10

Children

My last post reminded me of a beautiful setting of the Kabril Gibran poem Children to music by Sweet Honey and the Rock. I heard this long before I ever had children, and it has stuck in my mind always as something to try hard and live up to as a parent (I wouldn’t say I always succeed – but I do always try!).

 

31
Jan
10

Sonic the… Classicist?

It’s  something I have dreamed of since the moment they were born….well perhaps not exactly that moment, but pretty shortly after. You shouldn’t of course, after all as the poem says:

Your children are not your children.
They are the sons and daughters of Life’s longing for itself.
They come through you but not from you,
And though they are with you, yet they belong not to you.
You may give them your love but not your thoughts.
For they have their own thoughts.
You may house their bodies but not their souls,
For their souls dwell in the house of tomorrow, which you cannot visit, not even in your dreams.
You may strive to be like them, but seek not to make them like you.
For life goes not backward nor tarries with yesterday.”

Kabril Gibran

But…. But…. There I was. Sitting reading the paper. Son number 1 comes bouncing up to me (he’s 9, bouncing is the transport method choice of the 9 year old boy!):

Bouncing Boy: Can you play The Waltz of the Flowers?
Confused Mother: Sorry?
Bouncing Boy: You know, that music… The Waltz of the Flowers?
Concussed Mother (after picking self off floor where she had slipped): The Waltz of the Flowers?
Bouncing Boy (with a sigh): You know! From the Nutcracker (looking at mother as if at a very slow and dimwitted child).
Confused Mother:  You mean this…. 
Bouncing Boy: Yeah (huge smile)
Confused Mother: Err… how do you know about that?
Bouncing Boy’s Dancing Brother: Doh! It’s in Sonic and Mario Winter Olympics (exchanges knowing look with brother, as if fully realising just how stupid their mother is for the first time). 
Bouncing Boy: So do you have more things like this?

The rest of the evening is a bit of a blur of parental “oh my god, my children are developing a taste for classical music”. I do know there was a lot of Strauss (J, obviously, they’re boys after all, nothing they like better than a good march about).

Now I know it’s a long way from excitedly swopping notes on the latest Ode to St. Cecilia (apart from anything else my attempt to slip a little opera in to the evening was greeted with screeches of derision… again…), but it’s  a start! And it’s all thanks to computer games.

Hmm I may have just spotted a marketing niche – Lara Croft: Mezzo Raider!

29
Jan
10

Some things just make life… better

I’m not sure if this works outside Britain and/or if you haven’t seen the original movie it’s parodying. But just this once, I don’t care dear reader. This one is for me.

“Mildred, pop the Web-o-graph on and pour me a whisky there’s a dear, madam’s in a mood and only a stifled giggle or three and a good guffaw will put it right. Oh, and Mildred, pour yourself one and come sit here on the chaise with me awhile. Time we had a chat… Oh dear, do stop looking so worried, and for god’s sake stop fiddling with that antimacassar!”

Oh Victoria Wood – I love you. From afar obviously. But truly. Madly. Deeply.


28
Jan
10

Not all great mezzos were in opera houses

 

Amália Rodrigues (c) Unknown

Amália Rodrigues was the queen of Portugese fado and one of the greatest mezzos never to grace an opera stage (at least for opera). Unbelievably popular all over the Portugese speaking world (and France and Romania apparently), she had the kind of direct, strong voice capable of staggering depths and soaring reaches I adore.

I’m not Portugese but she’s so amazing she makes me want to go ‘home’ to Lisbon :) Video recording of a 50 year old movie turned into Youtube video and played through crappy computer speakers…can you *imagine* what that was like live? Inside or outside the opera houses – so many incredible voices, so little time!

28
Jan
10

Orchestra Gods and Goddesses Alert!

 

(c) Orchestra of the Age of Enlightenment

Fire up the web-o-phones folks – Friday night 9pm GMT is chilling with the Orchestra of the Age of Enlightenment night. Now, I love the Orchestra of the Age of Enlightenment. I love them like I Love Calgary Beach on Mull, like I love apples straight from the tree, like I love The Bionic Woman. Which is to say I love the OAE in the purest and simplest way possible. They make me smile. They make me happy. They make me warm and fuzzy and snuggly with delight. Sadly I can’t get to the Roundhouse in London for the Friday night late shift with Beethoven. I wish I could. But the OAE are cool so they are letting us all kind of hang with them with a live broadcast of another of their experiments in late night relaxed “sure you have a drink while you listen’ concert stagings.

People have done this kind of thing before of course, especially in intimate recital contexts – but this is an orchestra performing Beethoven not just a singer and pianist or a chamber group! And this isn’t some marketing hype one off experiment. This is a long standing commitment (as clear from this podcast on their blog) by the OAE. Oh there will be some teething problems I am sure – for musicians schooled in playing in the kinds of dead silent audiences we normally have in the classical music world it will be a tough transition, I don’t underestimate how hard this is for these folks. But then maybe they can begin to demand that audiences, or more particularly critics, get over themselves too? Quid pro quo. So what if something isn’t 100% perfect according to the score if it moves us? So what if a singer’s voice isn’t as perfectly fluid and mobile as it was 20 years ago? Does that really mean they cannot touch us? Sure we can all have our higly subjective preferences but ripping apart a performance for one missed high note, one passage ever so slightly off tempo? Nope, truly this is the age of the enlightenment when it comes to music, and that means performers *and* audiences need to (en)lighten up!

I do though wish people would stop casting this as being about the youth audience… it’s not just 20 year olds who don’t care for being treated like poor idiots to sit quietly and behave at classical music events. I want to hear Handel the way it was meant to be heard – with a drink in one hand and my girlfriend in the other. And if the emotion of the music brings on a little amorousness, or a need to move around a bit, then bloody hell isn’t that what it’s all about? We aren’t animals, just because we are “allowed” to have a drink or move about doesn’t mean we are all going to start having bar brawls and throwing up on the first violins.For us audience members (old and young), a new shared etiquette will emerge. The thing is – I believe in this music. I may be a ridiculous idealist but I know from attending all kinds of other musical events that if music is meant to grip and bring us to a dead stop… then if it is good and performed well, it will. As the following demonstrates:

PS Isn’t the Scottish Chamber Orchestra lucky to have Robin Ticciati as its principal conductor! Talented and cute. Killer combination.




Because as Handel reminds us…

... real life is the bastard love child of tragedy and comedy (conceived in a drunken stupor in a bus shelter at 2am, possibly with a member of your own family).

 

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